EDIT CHALLENGE – HORROR MOVIE in 4K
CINESTUDY (formerly Framelines) presents an Interactive Editing Project! Anyone can download the 4K clips and edit the scene together however you want.
Below you can read the script and download the footage, then edit your own version of this short horror movie, and upload it to any sites, as long as you use our complete credits and use the hashtag #Cinestudy!
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We have included all the raw footage from one of our demonstration scenes, this one a “Horror Film” clip.
DOWNLOAD 4K RAW FOOTAGE HERE
https://drive.google.com/open?id=1SGHid06awfdTm7BFHoNmfR0DFXwSMQFJ
Can’t handle UltraHD footage?
LOWER RES FOOTAGE HERE
https://drive.google.com/open?id=1ijrv-C84VVl3F8k5cYKMYyOx33vREdNV
Once you’re done, feel free and upload to any free video site. You can let us take a look by using the hashtags #cinestudy
Don’t have editing software yet? No problem!
Get Blackmagic Design’s DAVINCI RESOLVE FOR FREE
https://www.blackmagicdesign.com/products/davinciresolve/
Need music? CLICK HERE for 50 Royalty Free Songs!
Here is the screenplay for the scene:
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INT. WAREHOUSE NIGHT
We see down a dark hallway, and BECKY’s head pops up against the wall on the right side of the frame, she’s panting.
the KILLER enters down the hall, Becky looks and sees him, starts to run.
KILLER follows, axe in hand. When she looks back, he’s on top of her.
Killer swings the axe down on her throat.
CUT TO:
INT. BEDROOM MORNING
Overhead shot of Becky, waking from bad dream. She checks her throat, gets out of bed.
INT. KITCHEN MORNING
ALLY, Becky’s roommate is making coffee. Becky enters.
BECKY
I just had the most terrifying dream.
I was in some warehouse, being
chased by this madman in a yellow
suit, and he grabbed me by the throat.
ALLY
Here, you need this more than me.
Ally hands her a cup of coffee.
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Feel free and edit and upload your version of the scene. All we ask is that you give the credits below and also a hashtags #Framelinestv and #Cinestudy
We hope to see your cuts soon.
CREDITS
starring
Brooke Curtis
Mike Maletic
and Jocelyn Tanis
Director – Peter John Ross
Cinematographer – Greg Sabo
Producers – Peter John Ross Greg Sabo
Co-Producer – Mike Maletic
Camera Operators – Greg Sabo and Zach Sabo
Gaffer – Jon Spannhake
Grips – Steve Steinmetz
Joseph Fuller
Boom Operator – Micah Jenkins
Production Assistant – Brad Sherman
2nd Assistant Director – Cordelia Calrissian DeVille
Lighting provided by Zabolights
zabolight.com
Cameras provided by Sabostudios
Sabostudios.com
Props provided by Production Partners Media
Post Production Facilities provided by sonnyboo.com
Shot on Location at
JMO Studios
Rossland
Special thanks
TJ Cooley
Scott Spears
#Cinestudy #framelinestv
© copyright 2019 CINESTUDY
Made possible with grants from THE GREATER COLUMBUS ARTS COUNCIL gcac.org
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vimeo.com/154128761
vimeo.com/154128760
vimeo.com/154128845
vimeo.com/154331840
vimeo.com/154331841
vimeo.com/154128847
vimeo.com/154331843
vimeo.com/154331845
vimeo.com/154331846
vimeo.com/154331847
vimeo.com/154331848
vimeo.com/155189037
DIRECTOR’S NOTES ON THE SHOTS
Scene 01 Camera A 4k
Two Camera Setup w/Slates
A-Camera Sony F55
4096×2160
Audio
NOTES: Dolly Shots, rack focus
Scene 01 Camera B
Two Camera Setup w/Slates
A-Camera Sony F5
2048×1080
Audio
Notes: Close Up, Extra take
Scene 01a Camera A 4k
Two Camera Setup w/Slates
A-Camera Sony F55
4096×2160
Audio
NOTES: Wide shot reverse
Scene 01a Camera B
Two Camera Setup w/Slates
A-Camera Sony F5
2048×1080
Audio
Notes: Close Up
Scene 02 Camera A 4k
Single Camera Setup
A-Camera Sony F55
4096×2160
Audio
NOTES: multiple takes, wide and close
Scene 02 Camera C 4k
Single Camera Setup
C-Camera GoPro 4K
3840×2160
Audio
NOTES: steadicam shots, multiple takes, multiple angles
Scene 02a Camera A 4k
Single Camera Setup
A-Camera Sony F55
4096×2160
Audio
NOTES: Multiple takes, multiple angles
Scene 02b Camera B
Single Camera
B-Camera Sony F5
2048×1080
NO Audio
Notes: Close Up
Scene 03 Camera A 4k
Two Camera Setup w/Slates
A-Camera Sony F55
4096×2160
Audio
NOTES: Wide shots, Close ups, and multiple takes, some single camera CU at the end
Scene 03 Camera B
Two Camera Setup w/Slates
A-Camera Sony F5
2048×1080
Audio
Notes: Through the glass door, camera A and crew visible for more of the shot
Scene 04 Camera A 4k
Single Camera Setup
A-Camera Sony F55
4096×2160
Audio
NOTES: Multiple takes
Scene 05 Camera A 4k
Single Camera Setup
A-Camera Sony F55
4096×2160
Audio
NOTES: Multiple takes, multiple angles
Source